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weighingandwanting:

Tomas Gabzdil Libertiny built a glass vitrine and suspended this martyred figure in the middle. 40,000 worker bees were then released over the course of the event so that a wax honeycomb structure was created over the figure. The red pigment color comes from the fact that Libertiny tinted the entire honeycomb structure red. Representing flesh and blood, the work comes to signify “the toil of everyday duty…masked by the hope of eternal rest in an after-life promised by the believer.”

weighingandwanting:

Tomas Gabzdil Libertiny built a glass vitrine and suspended this martyred figure in the middle. 40,000 worker bees were then released over the course of the event so that a wax honeycomb structure was created over the figure. The red pigment color comes from the fact that Libertiny tinted the entire honeycomb structure red. Representing flesh and blood, the work comes to signify “the toil of everyday duty…masked by the hope of eternal rest in an after-life promised by the believer.”

 
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  5. dafotology reblogged this from shamelesshipsterscum and added:
    Normally, I find this sort of thing annoyingly pretentious, but I actually like how this turned out.
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  7. kirious reblogged this from sesame-oil and added:
    Tomas Gabzdil Libertiny built a glass vitrine and suspended this martyred figure in the middle. 40,000 worker bees were...
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  10. jackcoffin reblogged this from inquisitivechild and added:
    I don’t usually like conceptual art but I love the meaning behind this… religion is just there to get you to work hard...
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    Tomas Gabzdil Libertiny built a glass vitrine and suspended this martyred figure in the middle. 40,000 worker bees were...
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